A private archive

The Trevorrow family

Seven generations, from the tin mines of St Just in Penwith to the gold mines of Grass Valley, California. Forty one people, a hundred and one things they did, and the photographs that survive.

This is a demonstration, so the passphrase is printed here: . On the real archive it would be whatever you choose, and it would not be printed anywhere.

The passphrase here is checked in your browser, which keeps out anyone who finds the address but not anyone who opens the developer tools. The built version checks it at the edge and sets a signed cookie, so the pages are never sent to a browser that has not passed. That is a real difference and it is worth saying out loud rather than implying.

Wikimedia Commons, CC0

Parents

Grace Trevorrow

born Vingoe

1871 to 1949aged 78

Bal maiden to sixteen; then miners lodging-house keeper

Born
12 September 1871, Pendeen
Died
2 February 1949, 7 Cape Cornwall Street, St Just

She was five months pregnant with her first child when her father came up out of Wheal Owles and her mother did not know for four hours whether he was alive. She had seven children and buried three of them. She ran a lodging house for single miners at 7 Cape Cornwall Street for thirty one years, which is how the family kept the roof after her husband died at forty six. Everyone below the second generation on this tree, in Cornwall, in California and in Western Australia, descends from her.

Accomplishments

  • Ran 7 Cape Cornwall Street as a miners lodging house for thirty one years1913

    From 1913 to 1944. She started it in the year her husband died, with four children still at home.

  • Served on the St Just relief committee after the Levant disaster1919

    From 1919 to 1922, in the three years after thirty one men were killed on the man-engine.

  • Raised her orphaned grandson in her own house1926

    From 1926, when his father died of the chest he brought back from France. She lived to see him sail for California.

Married

Children

An invented family, built to show how this works. The photographs are real public domain archival portraits of real people who are not these people, and each one credits its archive. Freely licensed portrait photography effectively stops around 1946, which is why the earliest generations are rich and the recent ones are empty mounts. On your own archive, those are where your photographs go. What is real and what is not.